Elektroakustische Musik: Fortbildungszentrum für Neue Musik II

51. Festival NEUE MUSIK / HAMBURG vom 11.-16.10.2025

Elektroakustische Musik:
Fortbildungszentrum für Neue Musik II
 
Komponistenportrait Helmut W. Erdmann
 
 
                                                                  Elektronische Musik IV (1978, 20`)                    
                                                                  "Schichtungen"
 
                                                                  Transfiguration VIII (1994, 38`)
                                                                  21 Stationen für einen Flötisten
                                                                  und Live-Elektronik
 
                                                                  Introduktion
                                                                  Allegro ma non troppo
                                                                  Largo
                                                                  Allegro con spirito
                                                                  Moderato 
                                                                  Scherzando
                                                                  Allegro moderato
                                                                  Allegro confuoco
                                                                  Andante
                                                                  Presto 
                                                                  Rezitativ
                                                                  Allegro assai
                                                                  Prestissimo
                                                                  Larghetto
                                                                  Allegro furioso 
                                                                  Scherzo
                                                                  Andantino
                                                                  Vivace
                                                                  Adagio
                                                                  Allegro ma non tanto 
                                                                  Epilog                
 
 
Die Komposition „Transfiguration VIII“ entfaltet sich vom „reinen“ Instrumentalton und seinen mannigfaltigen Farbgebungen bis zum völlig elektronischen veränderten Klang mit allen Zwischenstufen der Verfremdung, Klangerweiterung, dem Feedback instrumentaler und apparativer Technik.